(1759-1837), born in Cornwall, probably at St Ewe, was an English artist and painter, mostly of seascapes and other marine-based works. At the age of eleven, Luny left Cornwall to live in London. There he became the apprentice of Francis Holman, a marine painter who would have a great and long lasting artistic influence on Luny: Luny remained until 1780 in Holman's London studio, which, was first situated in Broad Street, St. George, and later relocated to Old Gravel Lane. In September 1777, Luny left Holman's studio for a while, to journey to France. During this particular expedition, Luny almost certainly strayed from France itself; his first exhibited picture in London, seen at the Society of Artists that same year, was given the title A distant view of the island of Madeira and Porto Santo, suggesting that an engraving had inspired his choice of subject. Similarly, it is unlikely that Luny was on hand for the Battle of the Nile, 1798, and the bombardment of Algiers, 1816, both of which he illustrated with dramatic atmosphere and credible realism. After leaving Holman's studio in 1780, Luny moved to Leadenhall Street during 1783. It was around this time that Luny was frequently exhibiting at the Royal Academy, in a total of twenty-nine exhibitions between 1780 and 1802. In Leadenhall Street, Luny became acquainted with a "Mr. Merle", a dealer and framer of paintings who promoted Luny's paintings for over twenty years, to great success. Luny also found a wealthy source of business in Leadenhall Street, where the British East India Company had their headquarters; their officers commissioned many paintings and portraits from Luny. This relationship between the Company and Luny also had several non-monetary benefits for Luny; it seems probable that, considering the great detail and realistic look of many of his sketches of locations such as Naples, Gibraltar, and Charleston, South Carolina, Luny was occasionally invited as a guest on the Company's ships on special occasions and voyages.  Related Paintings of Thomas Luny :. | Chetahate (les danseuses) fete des femmes dans un mariage arabe a Tlemcen (province d'Oran) (mk32) | Landscape with boats and figures | Portrait of a Lady | Electra at the Tomb of Agamemnon | A Farmyard near Sablons |
Related Artists:
THORNHILL, Sir James
English painter (b. 1676, Melcombe Regis, d. 1734, Weymouth).
Henri Toulouse-Lautrec
French Post-Impressionist Painter and Printmaker, 1864-1901 Henri de Toulouse-Lautrec, a direct descendant of the counts of Toulouse, was born on Nov. 24, 1864, at Albi. His eccentric father lived in provincial luxury, hunting with falcons and collecting exotic weapons. Henri began to draw at an early age. He suffered a fall in 1878 and broke one femur; in 1879 he fell again and broke the other one. His legs did not heal properly; his torso developed normally, but his legs were permanently deformed. Encouraged by his first teachers, the animal painters Rene Princeteau and John Lewis Brown, Toulouse-Lautrec decided in 1882 to devote himself to painting, and that year he left for Paris. Enrolling at the Ecole des Beaux-Arts, he entered the studio of Fernand Cormon. In 1884 Toulouse-Lautrec settled in Montmartre, where he stayed from then on, except for short visits to Spain, where he admired the works of El Greco and Diego Velazquez; Belgium; and England, where he visited Oscar Wilde and James McNeill Whistler. At one point Toulouse-Lautrec lived near Edgar Degas, whom he valued above all other contemporary artists and by whom he was influenced. From 1887 his studio was on the Rue Caulaincourt next to the Goupil printshop, where he could see examples of the Japanese prints of which he was so fond. Toulouse-Lautrec habitually stayed out most of the night, frequenting the many entertainment spots about Montmartre, especially the Moulin Rouge cabaret, and he drank a great deal. His loose living caught up with him: he suffered a breakdown in 1899, and his mother had him committed to an asylum at Neuilly. He recovered and set to work again. He died on Sept. 9, 1901, at the family estate at Malrome.
Gerard Hoet
(1648 - 1733), was a Dutch Golden Age painter. Gerard Hoet trained with his father and brother who were glass painters, and Warnard van Rijsen, who lived in Zaltbommel, and who himself was a pupil of Cornelis van Poelenburgh in Utrecht. In 1672 Hoet moved to The Hague, but when the Count of Salis bought paintings at his mother's house in Zaltbommel, he returned to paint for him. He accompanied him to Rees, Germany, where he met the Utrecht painters Jan van Bunnik, Justus Nieuwpoort and Andries de Wit.With De Wit he returned to Utrecht, where he worked for Frederick Nassau de Zuylestein briefly before visiting the Hague and Amsterdam. He then travelled to France on the promise of a Marquis who wanted to give him a commission, but this promise falling through, he made some engravings of paintings by Francisque Millet.He then wanted to travel to England, but having written to his compatriot Lucas Vorsterman, he received word that there was more work to be had in Paris. Hoet travelled to Paris where he spent more than a year, before returning to the Netherlands via Brussels.In Brussels he met the painter Adriaen Frans Boudewyns, who convinced him to stay a while. After eight months, Hoet returned to Utrecht, where he worked for William Nassau de Zuylestein, 1st Earl of Rochford. He married and settled in Heemstede (Utrecht), where he found work for the lord of the castle there